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Aristotle's influence on theatre "
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Aristotle's Poetics contain the earliest known theory about the origins of Greek theatre. He says that tragedy evolved from dithyrambs, songs sung in praise of Dionysus at the Dionysia each year. The dithyrambs may have begun as frenzied improvisations but in the 600s BC, the poet Arion is credited with developing the dithyramb into a formalized narrative sung by a chorus.
Then, in the 500s BC, a poet named Thespis is credited with innovating a new style in which a solo actor performed the speeches of the characters in the narrative (using masks to distinguish between the different characters). The actor spoke and acted as if he were the character, and he interacted with the chorus, who acted as narrators and commentators. Thespis is therefore considered the first Greek "actor," and his style of drama became known as tragedy (which means 'goat song', perhaps referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers.
It is amazing how sophisticated Aristotle's analysis of literature, theatre, poetry is and what far reaching influence it has, down to the present day.
-أو أزيد عليه "تمهيد في البداية" الباسج التالي:
Theater is one of the oldest and most
popular forms of enculturation and
entertainment.
Drama is theatre performances in which
speech, either from written or improvised,
is paramount.Theatrical texts often referred
to as drama; provide the framework of a
performance. The word drama has its origin
in the Greek verb dran, meaning “to do,”
“to act,” or “to perform.”
According to Aristotle’s “Poetics”, there
are six necessary elements for drama: Plot,
Character, Idea, Language, Song, and
Spectacle. He definesdrama as “an imitation
of an action that is whole, complete, and of
a certain magnitude or scope.” Aristotle
thought of drama as the most direct response
to humanity’s need to imitate experience.
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