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الموضوع: هنا..الشروح للمسرحيات والروايات الأدبية "متجدد"..

  1. #151
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    زهرة الثلج ..
    حيآكـِ يآقمر ..
    هذا اللي حصّلتهـ ..
    بصرآحهـ ما درستها لكن إن شآء الله اكون افدتكـ ..
    The Wife of Bath

    One of two female storytellers (the other is the Prioress), the Wife has a lot of experience under her belt. She has traveled all over the world on pilgrimages, so Canterbury is a jaunt compared to other perilous journeys she has endured. Not only has she seen many lands, she has lived with five husbands. She is worldly in both senses of the word: she has seen the world and has experience in the ways of the world, that is, in love and sex.
    Rich and tasteful, the Wife’s clothes veer a bit toward extravagance: her face is wreathed in heavy cloth, her stockings are a fine scarlet color, and the leather on her shoes is soft, fresh, and brand new—all of which demonstrate how wealthy she has become. Scarlet was a particularly costly dye, since it was made from individual red beetles found only in some parts of the world. The fact that she hails from Bath, a major English cloth-making town in the Middle Ages, is reflected in both her talent as a seamstress and her stylish garments. Bath at this time was fighting for a place among the great European exporters of cloth, which were mostly in the Netherlands and Belgium. So the fact that the Wife’s sewing surpasses that of the cloth makers of “Ipres and of Gaunt” (Ypres and Ghent) speaks well of Bath’s (and England’s) attempt to outdo its overseas competitors.

    Although she is argumentative and enjoys talking, the Wife is intelligent in a commonsense, rather than intellectual, way. Through her experiences with her husbands, she has learned how to provide for herself in a world where women had little independence or power. The chief manner in which she has gained control over her husbands has been in her control over their use of her body. The Wife uses her body as a bargaining tool, withholding sexual pleasure until her husbands give her what she demands.

    بالتوفيق
    لأن لذة العطاء لاتعدلها لذة ..
    ولأن الْتَّلَذُّذ بِالْأَخْذ يَشْتَرِك فِيْه مُعْظَم الْبَشَر ،
    لَكِن الْتَّلَذُّذ بِالْعَطَاء لَا يَعْرِفُه سِوَى الْعُظَمَاء وَأَصْحَاب الْأَخْلَاق الْسَّامِيَّة ..





    " مَنْ سَقَى الْغَير يَذُقْ طَعْمَ الْرِّوَآءْ"
    اضغط/ـي على الصورهـ

  2. #152
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    النص الأصلي من العصور القديمة The Canterbury Tale وهذه القصة جزء منها وتسمى

    The wife of Bath Tale

    العصور الوسطى Middle ages ..

    في عصر الممالك القديمة في أوروبا قامت إحدى الممالك بمحاصرة الأخرى تريد أن تستولي عليها وأن تقضي على ملكها، ولما وصل الأمر إلى الملك أرسل سفراءه ليستعلم عن سبب هذا الاعتداء المفاجئ، وكيف يمكن أن ينتهي ويحفظ الملك مملكته.


    وعاد إليه الرد بأنه من الممكن أن ينتهي الحصار وألا يُحكم على الملك بالموت إذا تمكن من الإجابة عن السؤال الآتي:





    (ماذا تريد النساء؟)




    رجع الملك إلى حاشيته وجمع المفكرين والفلاسفة وجمع نساء الدولة وفتياتها على أن يتمكن أحد من الإجابة على السؤال، ولكن دون جدوى، في النهاية قدم أحد أفراد الحاشية نصيحة للملك بأن يذهب إلى إحدى العرافات، وبالفعل ذهب الحاكم ليسأل إحدى العرافات وسألها




    فقالت له: يمكنني أن أعطيك الإجابة لتنقذ بها مملكتك وحياتك، ولكن ما هو الثمن؟


    فقال لها: كل ما تريدين، أعطيك نصف مالي، وبساتيني، وكل ما تطلبينه أيضاً..


    فقالت الساحرة وكانت كبيرة في السن: لا حاجة لي في بساتينك، فقط أريد أن أتزوج أجمل رجال حاشيتك، النبيل ألفريد..!


    اندهش الملك من رغبتها ورفض أن يحقق لها رغبتها، فهو لا يرغب أيضاً في أن يوتر علاقته بالنبيل والفارس (ألفريد). عاد الملك إلى القصر ليجد أفراد حاشيته ينتظرون نتيجة المقابلة ولكنه لم يخبرهم لكي لا يصل الأمر إلى صديقه النبيل.


    وفي صباح اليوم التالي جاء إليه النبيل الفريد وقال له: لماذا أخفيت علينا إجابة الساحرة؟ ألا تعلم أن أي ثمن لن يكون باهظاً مقابل الحفاظ على حياتك والحفاظ على مملكتك؟ إنني على استعداد للزواج من الساحرة.


    وبالفعل ذهب الملك إلى الساحرة مرة أخرى وطلب منها الإجابة وقال لها:


    لقد وافقتُ على أن تتزوجي أجمل النبلاء في قصري، النبيل ألفريد،


    فقالت له الساحرة: وأنا أمنحك الإجابة، إن ما تريده المرأة حقاً هو أن تترك لها حرية الاختيار..


    ذهب الملك بعد ذلك وأرسل مراسليه إلى قائد الجيش الذي يحاصر قلعته وأخبره بالإجابة وانتهى أمر الحصار وعادت المملكة سالمة للملك.


    وفي يوم زفاف النبيل ألفريد على الساحرة ذات السن الكبيرة والوجه القبيح فوجئ النبيل بالمرأة التي تزوجها قد تحولت إلى امرأة غاية في الجمال والصبا، وعندما سألها عن سر هذا التحول في وجهها


    قالت له: لأنك وافقت أن تتزوجني فقد قررت أن أمنحك فرصة وعليك الاختيار: إما أن أبقى قبيحة طوال النهار وأن أتحول إلى امرأة جميلة في الليل، وإما أن أتحول إلى امرأة جميلة في النهار وأن أعود إلى
    حالتي الطبيعية في الليل..


    أخذ النبيل يفكر في الاختيار الصعب ولكنه أجاب:




    (.................) !!!!


    * ملحوظة للقارئ حدد إجابتك قبل أن تكمل، أو تكملي قراءة القصة..
    حددوا اختياركم:


    ؟
    ؟
    ؟
    ؟
    ؟
    ؟
    ؟
    !
    !





    لقد كانت إجابة النبيل:


    سأمنحك أنت الاختيار..
    فقالت له الساحرة:


    إذاً سأبقى جميلة طوال النهار والليل..


    الحكمة: إذا منحت المرأة حرية الاختيار فستحصل على أجمل النتائج.


    منقول للفائدة :)

  3. #153
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    fantasy

    In the play a number of dilemmas crop up, of which the main one is that of a doctor who has developed a new cure for tuberculosis, but has only enough of it for one patient. He then has to choose which patient he is going to give it to: a kindly poor medical colleague, or an extremely gifted but also very unpleasant young artist with a young and vivacious wife with whom the doctor is somewhat in love, which makes it even harder for the doctor to separate his motives for the decision. The extensive preface to the play points out that there is another dilemma: poor doctors are easily tempted to perform costly but useless (and in the best case harmless) operations or treatments on their patients for personal gain. "Can this man make better use of his leg than I of fifty pounds?"

    This was reportedly inspired by the behaviour of a prominent Ear Nose and Throat specialist in London who had developed a simple and harmless operation to remove the uvula. This did not benefit any of his patients but made the surgeon a great deal of money.

    The play also mentions (then) new developments in the germ theory of disease, namely opsonins, and included socialist and anti-vivisectionist viewpoints. Specifically, it could be considered as advocating a National Health Service, such as was created in Britain four decades later - since a doctor who is employed by the state and gets a fixed salary for treating whoever needs medical attention would not face the dilemma discussed in the foreword.

    The theme of the play remains current: in any time, there will be treatments that are so scarce or costly that some people can have them while others cannot. Who is to decide, and on which grounds is the decision to be taken?


    http://en.wikipedia.org/wiki/The_Doc...mma_%28play%29

  4. #154
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    ^

    طيب ما فيه ترجمه

  5. #155
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    يعطيكم العافيـــــــــــــــــــ ه ^^

  6. #156
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    شرح للمسرحية بالانجليزي= plot




    Sherwood Anderson’s “I’m A Fool” is a short story about how a young boy learned that his actions
    have consequences that will haunt him for a very long time. Although what he did was wrong, he
    will have the power to recognize his mistakes and mature into a fine young man.
    To allow the readers to witness the young man’s feelings and thoughts—past and present—
    Anderson chose to tell the story in the first-person point of view. By doing that, the readers find
    out immediately that after what happened to the young man the last time he lied, the young man
    became wiser: “It was a hard jolt for me, one of the most bitterest I ever had to face. And it all
    came about through my own foolishness, too…Perhaps, even now, after all this time, there will be a
    kind of satisfaction in making myself look cheap by telling of it” (250). The readers also realize that
    although the young man is a major participant, he is telling the truth and, overall, his story is a
    reliable source.
    By telling the story in the first-person point of view, the author can provide accurate details about
    what his main character was doing during that summer. These details allow the author to maintain
    and increase the readers’ curiosity about the plot. If the story would have been told in the dramatic
    point of view, it’s pretty obvious that the author would have had a hard time trying to make his story
    credible. The first-person point of view also allows the readers to realize how much the main
    character has changed over time, from his much improved vocabulary, to his way of thinking and
    acting. There are a few times when the author switches to the second-point of view. This allows
    him to describe things in the same informal way as in the first-person point of view by avoiding
    pronouns as he/ she: “Gee whiz! it was fun. You got to a county-seat town, maybe say on Saturday
    or Sunday, and the fair began the next Tuesday and lasted until Friday afternoon….It left you a lot
    of time to hang around and listen to horse talk…”(251).
    As the story unfolds, the young man confesses that, before he learned his lesson, he was pretty full
    of himself. He even seemed to have forgotten his place and was looking down on people with same
    background as his: “And so there I was, sitting up in the grandstand as gay as you please and looking
    down on the swipes coming out with their horses, and with their dirty horsy pants on and the horse
    blankets swung over their shoulders, same as I had been doing all the year before.” (252). It is his
    foolishness that made him lie about his social status and identity, while trying to impress a beautiful
    young lady he met that summer. Although she was rich, he might have had a slight chance to
    remain friends with the girl, if he hadn’t lied about everything; and indeed he lost perhaps the only
    chance to meet true love. The readers know this because the story is told by using the past tense.
    By using the first-person point of view and the past tense, the author allows the story teller to detach
    himself from the person he used to be. After he learned his lesson, the young man also learned how
    to stay out of trouble. In the end he detaches himself completely from the person he used to be: “I
    wish I had that fellow right here that had on a Windsor tie and carried a cane. I’d smash him for fair.
    Gosh darn his eyes. He’s a big fool—that’s what he is” (256). Although he made a big mistake, he
    also learned his lesson—and that is what counts the most.
    The young man’s story could be everyone’s story of growing up. The readers sympathize with the
    story teller and are happy that a lesson was learned in the end. Anderson’s story accomplished its
    purpose: growing up is not always easy, if ever.
    .

  7. #157
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    هذا الثيم اللي حصلتة


    The insightful theme which Anderson reveals in "I'm A Fool", deals with the inevitable consequences associated with dishonesty and deceitfulness, and he is able to effectively reveal this theme with the use of dramatic irony, a first person point of view, and various elements of character. Dramatic irony is used occasionally by Anderson as a means of indirectly transcending his own thoughts. Such occurrences are suttle and difficult to detect because the nature of the story's first person point of view prohibits Anderson from directly expressing his own personal thoughts to the reader. For instance, the narrator believes that stealing, swearing, getting drunk, and bandaging horses is of far greater importance than a high school diploma or university degree



    سوسو3010

    ياريت تحطي طلباتك لاحقاً في منتدى الطلبات علشان الكل يساعدك :)

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    Blush Anim Cl رد: هنا..الشروح للمسرحيات والروايات الأدبية "متجدد"..

    مشكووووووووووووووووورة

  9. #159
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    السلام عليكم -الف شكر الك على هاد المجهود لانك بجد انقذتيني من احراج كان راح اوقع فيه يوم مناقشة بحثي امام المشرف.
    Thanks alooooooooot . lost lady

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    رد: هنا..الشروح للمسرحيات والروايات الأدبية "متجدد"..

    [MARK="000000"]Wuthring Heihgts
    By Emily Bronte[/MARK]

    مرتفعات ويذرينق


    مرتفعات ويذيرنغ هي الرواية الوحيدة للكاتبة أيملي برونتي . نشرت أول مرة عام 1847 تحت اسم مستعار هو ايلليس بيل Ellis Bell . وقد أجرت أختها شارلوت برونتي - وهي كاتبة أيضا - تعديلات على الطبعة الثانية من الرواية بعد وفاة ايملي . أخذ اسم الرواية من عزبة في مروج يوركشير Yorkshire وهي بلدة تاريخية في شمال انجيلترا ( فكلمة ويذيرنغ في يوركشير تعني الجو المتقلب ) . و تحكي هذه الرواية قصة الحب و الشغف الذي يصل حد الامتلاك بين بطلة القصة كاثرين cathrine و هيثكليف Heathcliff ، وكيف يصل بهما هذا الحب المحموم إلى تدميرهما و تدمير آخرين من حولهما .

    تعد هذه الرواية من الأدب الإنجليزي ، وقد حظيت باهتمام النقاد منذ صدروها لما فيها من مواقف القسوة المرعبة ذهنيا وجسديا . و رغم أن رواية أختها شارلوت برونتي - جين آير كانت تعد أفضل ما كتبته الأخوات برونتي ، إلا أن مرتفعات ويذرينغ عدت بعد ذلك هي الأفضل . بالإضافة لذلك فإن هذه الرواية ألهمت العديد من الأعمال الفنية بعد ذلك ، بما فيها السينما و الإذاعة و الأغاني ( من أشهرها أغنية بنفس الاسم للمغنية كايت بوش Kate Bush ) ، بالإضافة إلى الأوبرا و الباليه .

    [MARK="000000"]ملخص للرواية [/MARK]

    تبدأ القصة بالسيد لوكوود الساكن جديد في ثراشكروس جرانج ، وهو بيت كبير في مروج يوركشير ، والذي استأجره من السيد هيثكليف ، وهو مكان قريب من مرتفعات ويذرينغ . في أول يوم يقضي السيد لوكوود ليلته في بيت هيثكليف ، ويشاهد حلما مريعا : شبح كاثرين ايرنشو ، يترجاه أن يسمح له بالدخول . يسأل السيد لووكود مدبرة المنزل السيدة نيللي دين ، وهنا تبدأ أحداث القصة عن الثلاثين سنة الماضية على لسان المربية التي عاشرت هذه العائلة و رأت أجيالها المتعاقبة وعرفت طباعهم و كانت قريبة جدا منهم .

    [MARK="000000"]شخصيات الرواية[/MARK]

    [MARK="000000"]هيثكليف [/MARK]Heathcliff وهو بطل القصة . فتى يتيم يتبناه السيد إيرنشاو بعد أن يجده ضالا بلا مأوى . يقع في حب كاثرين إيرنشو لحد الجنون . لكنه يتزوج من إيزابيلا لينتون لينتقم من أخيها الذي تزوج كاثرين .

    [MARK="000000"]كاثرين إيرنشو[/MARK] Cathrine Earnshaw بطلة القصة ، و أخت هيثكليف بالتبني . تقع في غرام هيثكليف . ذات شخصية فريدة في الأدب فهي أنانية و سريعة الغضب . تتزوج من ايدجار لينتون لنفوذه و ثروته ، لكن يبقى حب هيثكليف مسيطرا عليها .

    [MARK="000000"]أيدجار لينتون[/MARK] Edgar Linton هو صديق كاثرين في أيام الطفولة و يتزوجها فيما بعد . شخصية إيدجار هي شخصية السيد الهادئ والراقي ، يحب كاثرين بشدة و يعاني هو أيضا من حبه لها و من صدقاتها لهيثكليف .
    [MARK="000000"]
    إيزابيلا لينتون[/MARK] Isabella Linton أخت ايدجار الصغرى . تقع في غرام هيثكليف و تخدع بشخصيته خاصة بعدما يعود غنيا بعد سنين غربة طويلة . يتزوجها هيثكليف فقط كي يحطمها هي وعائلتها . تستطيع في النهاية أن تهرب من المنزل و تعيش مع ابنها بعيدا عن الأخرين إلى ان تموت .
    [MARK="000000"]
    هيندلي ايرنشاو[/MARK] Hindely Earnshaw هو أخو كاثرين و أخو هيثكليف بالتبني . يكره هيثكليف و يغار من حيازته على اهتمام والده بدلا عنه ، ولا يتوقف عن القاء صنوف العذاب على هيثكليف وهو طفل . يتزوج من شخصية ثانوية في القصة هي فارنسيس و ينجب ابنه الوحيد هارتون . يصبح سكيرا بعد وفاة زوجته و يخسر كثيرا من ثروته وحياته . لكن يأتي في النهاية هيثكليف ليسدد عنه ديونه ويسمح له بالبقاء في البيت امعانا في اذلاله .
    [MARK="000000"]
    أيلين ( او نيللي ) دين[/MARK] Ellen (Nelly) Dean هي مدبرة المنزل و رواية هذه القصة . تتنقل في فترة عملها بين ثراشكروس جراج و مرتفعات ويذرينغ . تلم بكل الأحداث الأليمه التي تمر بها عائلتي لينتون و ايرنشاو .

    [MARK="000000"]لينتون هيثكليف[/MARK] Linton Heathcliff هو ابن هيثكليف و إيزابيلا التي ولدته بعد هروبها من زوجها . يعود إلى عائلته بعد وفاة أمه . يعيش تحت رحمة هيثكليف الذي يدفعه للزواج من كاثرين لينتون لكي ينال ثروتها .

    [MARK="000000"]كاثرين لينتون[/MARK] Catherine Linton هي ابنة كاثرين ايرنشاو و إيدجار لينتون . تتوفى والدتها عند ولادتها . تعيش طفولة سعيدة نسبيا مع والدها دون أن تعرف أي شيء عن تاريخ أسرتها المظلم ، إلى أن تقرر يوما أن تتجاوز الحدود التي فرضها عليها والدها و تتعرف بأسرة أيرنشاو . تظن أنها تقع في حب لينتون هيثكليف ، لكنها سرعان ما تكتشف أنه كان يخادعها بأمر من والده . تتزوج منه مرغمة بعد حبسها و تهديدها . بعد وفاة زوجها تقع في حب هارتون إيرنشاو .

    [MARK="000000"]هاريتون إرينشاو[/MARK] Hareton Earnshaw ولد هيندلي و فرانسيس . يتبناه هيثكليف و يسيء معاملته جدا انقاما من المعاملة السيئة التي كان يلاقها هو من والده هيندلي . يحب في نهاية القصة كاثرين إيرنشاو .

    [MARK="000000"]جوزيف[/MARK] Joseph هو خادم عائلة إيرنشاو .

    [MARK="000000"]السيد لوكوود [/MARK]Lockwood هو المستأجر الجديد لثارشكروس جرانج .

    [MARK="000000"]فرانسيس إيرنشاو [/MARK]Frances Earnshaw زوجة هيندلي و أم هارتون ، تموت عند الولادة .

    [MARK="000000"]السيد كيننيث[/MARK] Mr.Kenneth طبيب العائلة

    لأن
    ( الله ربي ) سأبحر في أُمنياتي ..
    سأزيدُ رغباتي !
    سَأطمع في دُعائي أكثر
    ..
    لأن الله رَبي !..
    سأطرُق البابَ وإن طال الفَتح
    `سأنطَرِحُ على الأعتاب
    وإن امتدّ الزمان ،
    فحتماً ولابُد ;
    سأبكي فرحاً يوماً من دَهشتي بالعطاء

  11. #161
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    A082 رد: هنا..الشروح للمسرحيات والروايات الأدبية "متجدد"..

    شكرا على المجهود الرائع مررة استفدت من الplot لi'm a fool by sherwood anderson




  12. #162
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    اقتباس المشاركة الأصلية كتبت بواسطة جودي ابوت مشاهدة المشاركة
    as you like it

    ابي الشرح حقها بالانجليزي وترجمهـ بالعربي

    وابعى السبب اللي اوليفر يكره اورلاندو


    وشنو الشكوى اللي شيتكيها اورلاندوو عن اخوه اوليفر


    ؟؟؟؟؟؟؟؟؟؟؟؟
    http://www.saudienglish.net/vb/showthread.php?t=38781
    في هذا الرابط..موجود السمري بألانجلش..
    ومن خلاله راح تعرفين أجوبه الأسئله..
    جزاى الله الزهره الخضراء الف خير

    لأن
    ( الله ربي ) سأبحر في أُمنياتي ..
    سأزيدُ رغباتي !
    سَأطمع في دُعائي أكثر
    ..
    لأن الله رَبي !..
    سأطرُق البابَ وإن طال الفَتح
    `سأنطَرِحُ على الأعتاب
    وإن امتدّ الزمان ،
    فحتماً ولابُد ;
    سأبكي فرحاً يوماً من دَهشتي بالعطاء

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    @بيلسان@


    تحميل الشمس تشرق أيضاً – إيرنست همنغواي


    رواية The Sun also Rises
    by:Himingway

    http://www.4shared.com/file/34691826...3/___.html?s=1

  14. #164
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    الاميره2055

    ROMANTIC LOVE IN WUTHERING HEIGHTS



    Romantic love takes many forms in Wuthering Heights: the grand passion of Heathcliff and Catherine, the insipid sentimental languishing of Lockwood, the coupleism of Hindley and Frances, the tame indulgence of Edgar, the romantic infatuation of Isabella, the puppy love of Cathy and Linton, and the flirtatious sexual attraction of Cathy and Hareton. These lovers, with the possible exception of Hareton and Cathy, are ultimately self-centered and ignore the needs, feelings, and claims of others; what matters is the lovers' own feelings and needs.

    Nevertheless, it is the passion of Heathcliff and Catherine that most readers respond to and remember and that has made this novel one of the great love stories not merely of English literature but of European literature as well. Simone de Beauvois cites Catherine's cry, "I am Heathcliff," in her discussion of romantic love, and movie adaptations of the novel include a Mexican and a French version. In addition, their love has passed into popular culture; Kate Bush and Pat Benetar both recorded "Wuthering Heights," a song which Bush wrote, and MTV showcased the lovers in a musical version.

    The love-relationship of Heathcliff and Catherine, but not that of the other lovers, has become an archetype; it expresses the passionate longing to be whole, to give oneself unreservedly to another and gain a whole self or sense of identity back, to be all-in-all for each other, so that nothing else in the world matters, and to be loved in this way forever. This type of passion-love can be summed up in the phrase more--and still more , for it is insatiable, unfulfillable, and unrelenting in its demands upon both lovers.



    المصدر::


    http://academic.brooklyn.cuny.edu/en...ring/love.html

  15. #165
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    رورو اكس رورو


    The House of Mirth



    Plot Overview

    Lily Bart is an attractive woman with some important social and family ties, but at the age of 29, she is still not married. Since the death of her mother, who had an intense hatred for "dinginess," Lily began to live with her aunt, Mrs. Peniston. However, Lily spends much of her time staying at the Bellomont, the out-of-town estate of the wealthy and well-establish Gus and Judy Trenor. At the Bellomont, Judy regularly throws extravagant parties that are attended by most of the New York upper-crust. They play bridge for money, which is problematic for Lily because she has a gambling addiction and cannot stop gambling, even though it ruins her financially.

    Lily has two main goals in the book: marriage and wealth. It is her hope to marry a rich man, thereby securing her place in society, but due to her own indecision, she passes up numerous chances, always thinking she can do better. Unfortunately, Lily's true love, Lawrence Selden, does not have enough money for her to marry him.

    Lily hears about the stock market at the Bellomont and decides that she would like to get involved in investment. She asks Gus Trenor to invest her small sum of money for her, and he readily assents because he is secretly attracted to Lily and wants her to spend time with him. The investments pay off, and as Lily begins to make money from Wall Street, she begins to spend lavishly. Later, to her horror, Trenor tries to proposition her, and she learns that he has not been investing her money—of which there is none—but rather his own; he has been giving her his profits. He says that she may pay him back by spending time with him, but Lily withdraws quickly from his presence and resolves that she will somehow pay him back, although she does not know how.

    Lily takes a sudden vacation to the Mediterranean with George and Bertha Dorset and the young Ned Silverton, but she soon learns that she is being brought along to distract George while Bertha has an affair with Ned. When Lily begins to associate with European royalty, Bertha becomes jealous and kicks her off the cruise yacht, starting a nasty rumor that Lily and George are having an affair, which leads to Lily's expulsion from society. Lily returns to America to learn that her aunt has died, leaving her with only $10,000, which is just enough to pay off her debt to Trenor, although Lily cannot have the money until one year has elapsed. In the meantime, Lily tries desperately to rebuild her reputation in society, but fails and moves in with Gerty Farish, Selden's cousin. She takes up jobs as a secretary and milliner (hat maker) before finally moving into a boarding house and leading a meaningless life. She begins to take sleeping pills to help her get away from her fear and loneliness until the day when her check from her aunt's estate finally arrives. She pays off all her debts with the money, then overdoses (perhaps intentionally) on sleeping pills. The next day, Selden shows up at her apartment with the intention of proposing marriage to her, only to find her dead, with all her debts paid off.


    Analysis of Major Characters
    Themes, Motifs & Symbols


    هنا

    http://www.sparknotes.com/lit/mirth/summary.html

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    الملتاعة


    the hairy ape


    مسرحيته «القرد كثيف الشعر» The Hairy Ape في برودوي عام 1922. بطل هذه المسرحية «يانك» عامل فحم ذو قوة جبارة، وتصور المسرحية تطور اهتمام البطل بالعلاقات الاجتماعية في المجتمع الحديث.



    http://www.arab-ency.com/index.php?m...y_term&id=1368

  17. #167
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    اقتباس المشاركة الأصلية كتبت بواسطة m.o_o.n مشاهدة المشاركة
    @بيلسان@


    تحميل الشمس تشرق أيضاً – إيرنست همنغواي


    رواية the sun also rises
    by:himingway

    http://www.4shared.com/file/34691826...3/___.html?s=1
    الله يوفقك بالدنيا والاخرة وييسر امورك اختي
    التعديل الأخير تم بواسطة فـيصـل ; 27-07-2010 الساعة 09:16 PM سبب آخر: تم التعديل...((اندماج بعض الحروف مع بعضها البعض))

  18. #168
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    ĂήĝęĹ

    حيآكـِ يآقمر ..
    Analysis of Major Characters

    Stephen Dedalus

    Modeled after Joyce himself, Stephen is a sensitive, thoughtful boy who reappears in Joyce's later masterpiece, Ulysses. In A Portrait of the Artist as a Young Man, though Stephen's large family runs into deepening financial difficulties, his parents manage to send him to prestigious schools and eventually to a university. As he grows up, Stephen grapples with his nationality, religion, family, and morality, and finally decides to reject all socially imposed bonds and instead live freely as an artist.

    Stephen undergoes several crucial transformations over the course of the novel. The first, which occurs during his first years as Clongowes, is from a sheltered little boy to a bright student who understands social interactions and can begin to make sense of the world around him. The second, which occurs when Stephen sleeps with the Dublin prostitute, is from innocence to debauchery. The third, which occurs when Stephen hears Father Arnall's speech on death and hell, is from an unrepentant sinner to a devout Catholic. Finally, Stephen's greatest transformation is from near fanatical religiousness to a new devotion to art and beauty. This transition takes place in Chapter 4, when he is offered entry to the Jesuit order but refuses it in order to attend university. Stephen's refusal and his subsequent epiphany on the beach mark his transition from belief in God to belief in aesthetic beauty. This transformation continues through his college years. By the end of his time in college, Stephen has become a fully formed artist, and his diary entries reflect the independent individual he has become.
    Simon Dedalus

    Simon Dedalus spends a great deal of his time reliving past experiences, lost in his own sentimental nostalgia. Joyce often uses Simon to symbolize the bonds and burdens that Stephen's family and nationality place upon him as he grows up. Simon is a nostalgic, tragic figure: he has a deep pride in tradition, but he is unable to keep his own affairs in order. To Stephen, his father Simon represents the parts of family, nation, and tradition that hold him back, and against which he feels he must rebel. The closest look we get at Simon is on the visit to Cork with Stephen, during which Simon gets drunk and sentimentalizes about his past. Joyce paints a picture of a man who has ruined himself and, instead of facing his problems, drowns them in alcohol and nostalgia.
    Emma Clery

    Emma is Stephen's "beloved," the young girl to whom he is intensely attracted over the course of many years. Stephen does not know Emma particularly well, and is generally too embarrassed or afraid to talk to her, but feels a powerful response stirring within him whenever he sees her. Stephen's first poem, "To E— C—," is written to Emma. She is a shadowy figure throughout the novel, and we know almost nothing about her even at the novel's end. For Stephen, Emma symbolizes one end of a spectrum of femininity. Stephen seems able to perceive only the extremes of this spectrum: for him, women are either pure, distant, and unapproachable, like Emma, or impure, sexual, and common, like the prostitutes he visits during his time at Belvedere.
    Charles Stewart Parnell

    Parnell is not fictional, and does not actually appear as a character in the novel. However, as an Irish political leader, he is a polarizing figure whose death influences many characters in A Portrait of the Artist as a Young Man. During the late nineteenth century, Parnell had been the powerful leader of the Irish National Party, and his influence seemed to promise Irish independence from England. When Parnell's affair with a married woman was exposed, however, he was condemned by the Catholic Church and fell from grace. His fevered attempts to regain his former position of influence contributed to his death from exhaustion. Many people in Ireland, such as the character of John Casey in Joyce's novel, considered Parnell a hero and blamed the church for his death. Many others, such as the character Dante, thought the church had done the right thing to condemn Parnell. These disputes over Parnell's character are at the root of the bitter and abusive argument that erupts during the Dedalus family's Christmas dinner when Stephen is still a young boy. In this sense, Parnell represents the burden of Irish nationality that Stephen comes to believe is preventing him from realizing himself as an artist.
    Cranly

    Stephen's best friend at the university, Cranly also acts as a kind of nonreligious confessor for Stephen. In long, late-night talks, Stephen tells Cranly everything, just as he used to tell the priests everything during his days of religious fervor. While Cranly is a good friend to Stephen, he does not understand Stephen's need for absolute freedom. Indeed, to Cranly, leaving behind all the trappings of society would be terribly lonely. It is this difference that separates the true artist, Stephen, from the artist's friend, Cranly. In that sense, Cranly represents the nongenius, a young man who is not called to greatness as Stephen is, and who therefore does not have to make the same sacrifices.

    Minor Characters

    Dante (Mrs. Riordan) - The extremely fervent and piously Catholic governess of the Dedalus children. Dante, whose real name is Mrs. Riordan, becomes involved in a long and unpleasant argument with Mr. Casey over the fate of Parnell during Christmas dinner.
    Uncle Charles - Stephen's lively great uncle. Charles lives with Stephen's family. During the summer, the young Stephen enjoys taking long walks with his uncle and listening to Charles and Simon discuss the history of both Ireland and the Dedalus family.
    Eileen Vance - A young girl who lives near Stephen when he is a young boy. When Stephen tells Dante that he wants to marry Eileen, Dante is enraged because Eileen is a Protestant.
    Father Conmee - The rector at Clongowes Wood College, where Stephen attends school as a young boy.
    Father Dolan - The cruel prefect of studies at Clongowes Wood College.
    Wells - The bully at Clongowes. Wells taunts Stephen for kissing his mother before he goes to bed, and one day he pushes Stephen into a filthy cesspool, causing Stephen to catch a bad fever.
    Athy - A friendly boy whom Stephen meets in the infirmary at Clongowes. Athy likes Stephen Dedalus because they both have unusual names.
    Brother Michael - The kindly brother who tends to Stephen and Athy in the Clongowes infirmary after Wells pushes Stephen into the cesspool.
    Fleming - One of Stephen's friends at Clongowes.
    Father Arnall - Stephen's stern Latin teacher at Clongowes. Later, when Stephen is at Belvedere College, Father Arnall delivers a series of lectures on death and hell that have a profound influence on Stephen.
    Mike Flynn - A friend of Simon Dedalus's who tries, with little success, to train Stephen to be a runner during their summer at Blackrock.
    Aubrey Mills - A young boy with whom Stephen plays imaginary adventure games at Blackrock.
    Vincent Heron - A rival of Stephen's at Belvedere.
    Boland and Nash - Two schoolmates of Stephen's at Belvedere, who taunt and bully him.
    Cranly - Stephen's best friend at the university, in whom he confides his thoughts and feelings. In this sense, Cranly represents a secular confessor for Stephen. Eventually, Cranly begins to encourage Stephen to conform to the wishes of his family and to try harder to fit in with his peers—advice that Stephen fiercely resents.
    Davin - Another of Stephen's friends at the university. Davin comes from the Irish provinces and has a simple, solid nature. Stephen admires his talent for athletics, but disagrees with his unquestioning Irish patriotism, which Davin encourages Stephen to adopt.
    Lynch - Another of Stephen's friends at the university, a coarse and often unpleasantly dry young man. Lynch is poorer than Stephen. Stephen explains his theory of aesthetics to Lynch in Chapter 5.
    McCann - A fiercely political student at the university who tries to convince Stephen to be more concerned with politics.
    Temple - A young man at the university who openly admires Stephen's keen independence and tries to copy his ideas and sentiments.
    Dean of Studies - A Jesuit priest at University College.
    Johnny Cashman - A friend of Simon Dedalus.
    لأن لذة العطاء لاتعدلها لذة ..
    ولأن الْتَّلَذُّذ بِالْأَخْذ يَشْتَرِك فِيْه مُعْظَم الْبَشَر ،
    لَكِن الْتَّلَذُّذ بِالْعَطَاء لَا يَعْرِفُه سِوَى الْعُظَمَاء وَأَصْحَاب الْأَخْلَاق الْسَّامِيَّة ..





    " مَنْ سَقَى الْغَير يَذُقْ طَعْمَ الْرِّوَآءْ"
    اضغط/ـي على الصورهـ

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    السلام عليكم ورحمة الله وبركاته

    Wafa

    للأسف لم أدرس الرواية ولم أجد لها اي تلخيص عربي
    تفضلي هنا كل مايخص الرواية
    ‎ Ragtime: Plot Overview
    http://www.sparknotes.com/lit/ragtime/summary.html
    و
    http://www.answers.com/topic/ragtime-novel-1

  20. #170
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    شكرا ليكي اختي الكريمه وربنا يوفقك دايما للخير

  21. #171
    انجليزي جديد الصورة الرمزية Tiamo
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    فكرة رائعه

    انا عندي تلخيص باللغة الانجليزية سويته بالثانوية عن ماكبث
    وانا عارف انها مكرره بس هذي باللغة الانجليزية تلخيصي ..واذكر سويت عن تاجر البندقية بس ضاع تلخيصها مو عندي للأسف...
    وآمل ان ينال على رضاكم



    After their great victories, the Scottish generals ; Macbeth and Banquo , returned from a great battle. Suddenly, they were stopped by three strange figures like women. Macbeth was suprised when the first witch called him the lord of Glamis, the second of them gave him the name of lord of Cawdor and the third called him he would be the king of Scotland. Macbeth was very suprised but he believed that when king Duncan sent messengers to give him the title of cawdor. Macbeth went to his wife and told her the strange story. His wife was bad so she urged him to kill the king to arrive to the throne.


    At that time, it happened when the king came to Macbeth's castle with his two sons ; Malcolm and Donalbain to hounor Macbeth for his success in wars. In the castle of Macbeth , the king went early to bed because he was tired. Two of his servants slept beside him as was the custom.

    Lady Macbeth planned for the murder. She armed her hand with a knife. She approached the king's bed and made his servants drunk and careless of their charge but one thing in the king's face stopped her. She remmebred her father then she went to her husband and persuaded him to kill the king by explaining how easy it was kill him. He entered the king's room and killed him with one stroke of his dagger. Macbeth left the dead undone. His wife sent him to wash his hands from blood. She stained the servants with blood to make it seem their guilt. The next morning, Macbeth and his wife made a great show of grief. Macbeth achieved what he and his wife wanted. He was crowned king of Scotland when Duncan's sons left throne empty.


    Macbeth and his wife planned to kill Banquo and his son Fleance because the children of Banquo should be kings after Macbeth ( That also was what the witches said ). Macbeth and his wife made a great supper. They invited all chief lords ; Banquo and his son. At that night, Banquo was passing the palace and he was stopped by murders who were put by Macbeth. They killed him but his son escaped to Malcolm. After that, Macbeth saw Banquo's ghost was sitting on the throne. Then he went to the witches to ask them about the future. They told him he wouldn't lose the throne until the wood of Birnam come againt him. Malcolm made his army to revenge. Macduff ; lord of Fife joined his army.

    Malcolm commanded his soldiers to cut the trees in Birnam and cover his army to hide the true number. In the battle, Macduff saw Macbeth and called him to fight. Macbeth regreted what he had done. After a hard fighting, Macduff cut Macbeth's head. In the end malcolm restored the throne of his father.




    وسامحونا ع القصور

    انا من زمان ما شاركت وان شاءالله بشارك معاكم
    تحياتي

    إذا أردت ان تعيش سعيدا فلا تحلل كل شيء فإن الذين حللوا الألماس وجدوه فحما !!

  22. #172
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    جزاك الله خير على رابط the sun also
    مشكووووره
    التعديل الأخير تم بواسطة صاحبه السمو ; 28-06-2010 الساعة 06:33 PM

  23. #173
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    السلام عليكم ورحمة الله وبركاته
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    بحثت بالنت كثير بس شوفي هالرابط

    هنا‎
    موفقه

  24. #174
    Awaiting
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    وعليكم السلام ورحمة الله وبركاته
    تفضلي
    ترجمتها من هنا
    http://www.saudienglish.net/vb/showthread.php?t=70152

  25. #175
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    فكررره رآآئعهـ

    بجد رح تفيد الكل

    سلمت انآملكم ولا حرمك الله الاجر
    الا يالله كان اللي بقى لي في العمر"ليله"
    عسى اخر جلوس لي يكون فـ/حضن {سجاده
    .....



    ......

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